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・ Sally of the Sawdust
・ Sally of the Scandals
・ Sally of the Subway
・ Sally Oldfield
・ Sally Oliver
・ Sally Greengross, Baroness Greengross
・ Sally Griffiths
・ Sally Gross
・ Sally Gross (choreographer)
・ Sally Gross (South African activist)
・ Sally Grossman
・ Sally Grosvenor, Duchess of Westminster
・ Sally Gunnell
・ Sally Hacker
・ Sally Haley
Sally Hamlin
・ Sally Hampton
・ Sally Hamwee, Baroness Hamwee
・ Sally Hardcastle
・ Sally Haslanger
・ Sally Hawkins
・ Sally Haydon
・ Sally Hayfron
・ Sally Head
・ Sally Hemings
・ Sally Henriques
・ Sally Hepworth
・ Sally Herbert Frankel
・ Sally Hershberger
・ Sally Hitchiner


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Sally Hamlin : ウィキペディア英語版
Sally Hamlin

Sally Hamlin (born Sarah Emery Hamlin, Dec. 23 1902, Brooklyn, New York, USA, died July 4, 1987, Bar Harbor, Maine) was a child actor and recording artist.
==Early life and career==
She was the daughter of Dr. Cyrus E. Hamlin and Hattie Bennion; also the great-granddaughter of former U.S. Vice President Hannibal Hamlin. She is a shadowy figure today, and would probably be completely forgotten were it not for a series of 78rpm spoken word recordings she made for children in the 1910s and 1920s. Sally recorded primarily for Victor, but also recorded a few 7" discs for Emerson Records. These records were readings of poetry by such authors as Eugene Field and James Whitcomb Riley, classic stories such as Cinderella and Rumpelstilskin, and even excerpts from Pollyanna by Eleanor H. Porter. Sally also recorded a piano solo "The Butterfly", which was never issued.
Sally Hamlin was fifteen years old when she signed a one year contract with Victor on April 12, 1917 and made the trip from her home at 7 Woodruff Avenue, in Brooklyn, New York to the Victor recording studios in Camden, New Jersey. During this period, her most popular sides were recorded. Sally delivered James Whitcomb Riley's dialect poems "The Raggedy Man" and "Our Hired Girl" with natural girlish charm and they were instant successes. Her recordings of Eugene Field's "Wynken, Blynken, and Nod" and "The Sugar Plum Tree" are notable for Sally's use of sprechstimme, particularly in the final stanzas which are accompanied by harpist Francis J. Lapitino. This dreamy half spoken, half sung performance is one of the earliest examples of sprechstimme in a commercial recording.
On November 1, 1926, Sally Hamlin signed another contract with Victor, this one for a two-year period. While her earlier recordings had been made with the acoustic recording process, this group of sides was recorded electrically, and issued as Victor "Orthophonic" 78s. She re-recorded some of her previous readings, utilizing the new electrical recording process, and added some new titles such as "The Little Kitten That Would Not Wash Its Face" and Lewis Carroll's Jabberwocky. Among this group is her record of "The Night Before Christmas" and "The Shoemaker And The Elves". This record contains perhaps the first instance of sampling in a commercial recording. Sally's readings of these two famous Christmas pieces contains musical fade-ins from other records in Victor's back catalogue (among them, Elsie Baker's record of "Silent Night"). Although it was surely done as a cost-cutting measure, being cheaper than hiring an orchestra or a pianist, it nevertheless is sampling by definition. None of Sally Hamlin's work has ever been reissued commercially on long-playing records, or compact discs.
Later in life, Sally Hamlin married Karl M. Chworowsky, a minister of the Unitarian Church. They were both accomplished pianists who gave recitals together. She outlived him by 23 years, passing away at the age of 84 in Bar Harbor, Maine. She is buried in the Hamlin family plot at Mount Hope Cemetery in Bangor, Maine.

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